I ran into a friend of mine the other day who plays in a local band. We talked for a bit about upcoming projects and shows for a bit, just shooting the breeze, and before long, the conversation turned to gear. These guys provide their own sound at a lot of shows, and, like most local bands, have a system that has been patched together over several years. Unfortunately, their nice, solid boat anchor of a mixer had recently bitten the dust, so they were thinking about buying a new one.
We talked options for a little while, kicked around analog vs. digital, mused about on-board effects, British, American and Japanese, when finally I asked him that most important of questions: what is your budget?
“Oh, probably around $250.”
Ah. Two hundred and fifty bucks. All of a sudden that Peavey is starting to look a little better. I mean, how much mixer can you really get for under three hundred dollars?
It turns out, when you go with the Soundcraft EPM series, quite a bit. We settled on the Soundcraft EPM8, which offers eight real XLR channels, plus two stereo channels, tape in, and two aux returns. Behringer would be marketing this as a 16 channel mixer at least, so we appreciate Soundcraft’s honesty. In fact, the EPM series retains a number of pro features that I really appreciate, including:
- Inserts on every XLR channel, and on the main outputs
- Sweepable mids on the EQs for each XLR channel
- Pre/Post switches for both auxes (individually)
- Peak lights for each channel (no signal present lights, but then again, I guess you can’t have it all!)
- A dual 10 LED meter with automatic solo-to-meter functionality
- Real mute and solo buttons for each channel
- Dig up another 50 bucks, and you can buy the EFX8, which has a full digital effects processor.
All of these features are really nice, and the board sounds great, too. But, honestly, those things have nothing to do with why I think this is the right mixer for my friend. The EPM8 is better than every other console in its price range for one reason: durability. Pull this mixer out of the box, and the second you turn a knob or move a fader, you’ll realize what I’m talking about. It just feels like a solid, professional board. It’s not 90% plastic like some others, and the faders and pots have a weighted, high quality feel.
When you’re on a budget, the last thing that you want to do is buy a board that is going to break, or be a constant problem. The EPM’s solid construction makes it a smart buy, but it’s professional features make it an absolute bargain.
So, if you too are looking for a new, entry-level mixer on a budget, we give Soundcraft’s EPM8 our TSV Seal 0f Approval! So go check it out!
TSV